Movies Detail of Crescendo (1970)
✓ Title : Crescendo
✓ Release Date : June 7th, 1970
✓ Genres : Horror, Thriller
✓ Runtime : 96 minutes
✓ Director : Alan Gibson
✓ Writers : Jimmy Sangster, Alfred Shaughnessy
✓ Company : Hammer Film Productions
✓ Country : United Kingdom
✓ Cast : Stefanie Powers, James Olson, Joss Ackland, Jane Lapotaire, Kirsten Lindholm, Margaretta Scott
✓ Release Date : June 7th, 1970
✓ Genres : Horror, Thriller
✓ Runtime : 96 minutes
✓ Director : Alan Gibson
✓ Writers : Jimmy Sangster, Alfred Shaughnessy
✓ Company : Hammer Film Productions
✓ Country : United Kingdom
✓ Cast : Stefanie Powers, James Olson, Joss Ackland, Jane Lapotaire, Kirsten Lindholm, Margaretta Scott
Synopsis of Crescendo (1970)
An innocent project transforms into a perilous nightmare when researcher Susan Roberts arrives in France in search of information on a deceased composer. She contacts his widow whose mental deterioration, precipitated by the death of her husband, manifests itself in psychotic dementia. The young woman's arrival triggers an obsessive desire to marry her crippled son to Susan, ensuring by this union that the genius of the father will be passed on to future generations.
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◈ Crescendo Movie Free Online Reddit - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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