Movies Detail of Fast Food Fast Women (2000)

✓ Title : Fast Food Fast Women
✓ Release Date : May 15th, 2000
✓ Genres : Comedy, Romance
✓ Runtime : 95 minutes
✓ Director : Amos Kollek
✓ Countries : France, Italy, United States of America
✓ Cast : Anna Levine, Angelica Page, Lonette McKee, Louise Lasser, Victor Argo, Valerie Geffner, Sandrine Holt, Jamie Harris, Robert Modica, Austin Pendleton

Synopsis of Fast Food Fast Women (2000)

How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. Bella's mother sets her up with Bruno, a novelist/cabbie who likes to bed-hop and whose ex-wife expects their two children to stay with him for awhile. While Bruno learns some maturity from his young daughter, Paul answers a personals ad placed by a "widow, 60." The two couples - along with one of Paul's older pals and a Jungian stripper - sort out how to initiate a relationship these days, what to do when someone you like disappoints you, and when to tell the truth.




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Well, Fast Food Fast Women (2000) is good movie with a talanted cast and top level director. The Fast Food Fast Women (2000) itselft directed by Amos Kollek and Starring by Anna Levine, Angelica Page, Lonette McKee, Louise Lasser, Victor Argo, Valerie Geffner, Sandrine Holt, Jamie Harris, Robert Modica, Austin Pendleton which made Fast Food Fast Women (2000) enjoyable to watch and spending your time alone or with family and friends.

Fast Food Fast Women (2000)

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Fast Food Fast Women Film Italiano - has elements of science fiction in a Western setting. It is different from a Space Western, which is a frontier story indicative of American Westerns, except transposed to a backdrop of space exploration and settlement.

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Fast Food Fast Women Full Movie To Download - Magical realism, also called Magic realism, is literary works where magical events form part of ordinary life. The reader is forced to accept that abnormal events such as levitation, telekinesis and talking with the dead take place in the real world. The writer does not invent a new world or describe in great detail new creatures, as is usual in Fantasy; on the contrary, the author abstains from explaining the fantastic events to avoid making them feel extraordinary. It is often regarded as a genre exclusive to Latin American literature, but some of its chief exponents include English authors. One Hundred Years of Solitude, by Gabriel García Márquez, who received the 2000 Nobel Prize in Literature, is considered the genres seminal work of style.

Movie Sequence For Fast Food Fast Women - A sub-subgenre of science fantasy that takes place either at the end of life on Earth or the End of Time, when the laws of the universe themselves fail. More generally, the Dying Earth subgenre encompasses science fiction works set in the far distant future in a milieu of stasis or decline. Themes of world-weariness, innocence (wounded or otherwise), idealism, entropy, (permanent) exhaustion/depletion of many or all resources (such as soil nutrients), and the hope of renewal tend to pre-dominate.

Fast Food Fast Women Premiere Full Movie - This term has occasionally referred to a subgenre of speculative fiction that is similar to steampunk, but deviates in its technology. As with steampunk, it portrays advanced technology based on pre-modern designs, but rather than the steam power of the Industrial Age, the technology used is based on springs, clockwork and similar. Clockpunk is based very intensively on the works of Leonardo da Vinci and as such, it is typically set during the Renaissance. It is regarded as being a type of steampunk.

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Watch Fast Food Fast Women Online Free Hd - A subgenre of fantasy that is primarily humorous in intent and tone. Usually set in imaginary worlds, comic fantasy often includes puns on and parodies of other works of fantasy. It is sometimes known as low fantasy in contrast to high fantasy, which is primarily serious in intent and tone. The term "low fantasy" is also used to represent other types of fantasy, so while comic fantasies may also correctly be classified as low fantasy, many examples of low fantasy are not comic in nature.

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Fast Food Fast Women Full Movie Megavideo - tends to deal with womens roles in society. It poses questions about social issues such as how society constructs gender roles, the role reproduction plays in defining gender and the unequal political, economic and personal power of men and women. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.

Ver Fast Food Fast Women Pelicula Completa En Español Latino Repelis - focuses on the politics and social order implied by libertarian philosophies with an emphasis on individualism and a limited state – and in some cases, no state whatsoever. As a genre, it can be seen as growing out of the 2000 and 2000 when the science-fiction pulp magazines were reaching their peak at the same time as fascism and communism. While this environment gave rise to dystopian novels such as George Orwells Nineteen Eighty-Four, in the pulps, this influence more often give rise to speculations about societies (or sub-groups) arising in direct opposition to totalitarianism.

Fast Food Fast Women Izle Full Hd Türkçe Dublaj 2000 Filmi - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.


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