Movies Detail of Slam (2003)
✓ Title : Slam
✓ Release Date : June 27th, 2003
✓ Genre : Comedy
✓ Runtime : 94 minutes
✓ Director : Miguel Martí
✓ Writer : Juan Carlos Rubio
✓ Companies : Kinepolis, Morena Films, Canal+ España, Atresmedia
✓ Country : Spain
✓ Cast : José María Kimbo, Iván Hermés, Juana Acosta, Estíbaliz Gabilondo, Kira Miró, Octavi Pujades, Andreu Castro, Luke Donovan, Tomás Fonzi, Fede Celada
✓ Release Date : June 27th, 2003
✓ Genre : Comedy
✓ Runtime : 94 minutes
✓ Director : Miguel Martí
✓ Writer : Juan Carlos Rubio
✓ Companies : Kinepolis, Morena Films, Canal+ España, Atresmedia
✓ Country : Spain
✓ Cast : José María Kimbo, Iván Hermés, Juana Acosta, Estíbaliz Gabilondo, Kira Miró, Octavi Pujades, Andreu Castro, Luke Donovan, Tomás Fonzi, Fede Celada
Synopsis of Slam (2003)
If you want to know what is Slam, you have to come see it. Freaks, piercings, thongs and a lot of cream. 100% wild.
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Well, Slam (2003) is good movie with a talanted cast and top level director. The Slam (2003) itselft directed by Miguel Martí and Starring by José María Kimbo, Iván Hermés, Juana Acosta, Estíbaliz Gabilondo, Kira Miró, Octavi Pujades, Andreu Castro, Luke Donovan, Tomás Fonzi, Fede Celada which made Slam (2003) enjoyable to watch and spending your time alone or with family and friends.
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◈ Download Video Film Slam - A horror genre featuring a serial killer or other psychopath as an antagonist, methodically killing a number of protagonists in succession. Dramatic suspense is heightened by the victims obliviousness of the killer. The victims are typically in isolated settings and often engaged in sexual activity previous to the attacks. The "slasher" kills their victims by sneaking up on them and then bloodily stabbing and slicing them to death with a sharp object, such as a chefs knife. Gender roles in slasher films are of particular interest in feminist film theory, which has extensively examined the trope of the Final girl.
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◈ - This type features historical places, people, or events that may or not be crucial to the story. Because history is merely used as a backdrop, it may be fictionalized to various degrees, but the story itself may be regarded as "outside" history. Genres within this category are often regarded as significant categories in themselves.
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